
It must be Suzuki Day. Fresh off pictures from our resident Chinese spy, Suzuki has released some pictures of the upcoming S-Cross C-segment all-wheel-driver.
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Suzuki ReviewsStarting out life producing looms in 1909, Suzuki turned its attention to automobiles in 1937. Though some prototypes were built, World War II interrupted auto production. After the war Suzuki began building motorcycles and in 1955 Suzuki finally produced its first production passenger car - the Suzulight. The Suzulight was Japan's first lightweight car included features like front wheel drive, four-wheel independent suspension and rack-and-pinion steering - features that wouldn't become common for decades. |

It must be Suzuki Day. Fresh off pictures from our resident Chinese spy, Suzuki has released some pictures of the upcoming S-Cross C-segment all-wheel-driver.
While not mentioned explicitly, this is Suzuki’s SX4 replacement – the Dodge Caliber S-Cross Concept – which is all but ready for dealer showrooms for 2013.
The absolute nadir (Nader?) of Suzuki in America was when Consumer Reports announced to the world that OMG, tall and narrow off-roaders do roll over. The fallout of this scandal would taint the image of the Suzuki Samurai forever in the American market, and ensured that the later, ironically more stable, Suzuki Jimny, never made it across the pond.
It’s a crying shame, because the Jimny is the Mazda Miata of the off-road world. Read More >

What you see above is the S-Cross concept from Suzuki, set to bow at the Paris Auto Show in September. But, this C-segment concept isn’t a new model, instead a replacement for the Suzuki SX4.
Yesterday, a whirlwind of spy shots uncovered what looks to be the SX4 replacement Suzuki will start shipping to lots later this year. So far, observations of the new pint-sized every man rally car look promising, including possible turbo power and a handsome, if unremarkable, interior. But, will it be enough to satiate the appetite of Anglo American tastes? Or does American Suzuki need to focus more on the brand image train?
Maybe it was my lukewarm review. Or maybe it was because Suzuki’s most ardent attempt to date to appeal to Americans connected with only 6,138 of them last year. Despite the unintended acceleration media circus, Toyota sold more Camrys in the average week. Whatever the reason, Suzuki revised the Kizashi after just one model year, transforming the two top trim levels into “Sport” models. Substitute a six-speed manual and front-wheel-drive for the previous test’s CVT and all-wheel-drive, and the 2011 Kizashi certainly deserves another look.
The dominant Japanese car companies remain uncomfortable with their nationality, doing their best to seem somehow American lest they provoke a political backlash. Even as unabashedly Japanese products have become prevalent in the intertwined worlds of TV, gaming, and toys, I cannot recall a car with so much as a Japanese name prior to Suzuki’s new Kizashi. Why Suzuki? Well, they’re too small in the U.S. to fear a backlash. And tagging a motorcycle Hayabusa didn’t exactly harm its popularity. Why “Kizashi?” The name means “something great is coming.” Well, is it?
The Aerio was supposed to be Suzuki’s Corolla-beater. Born in ’01, refreshed in ’04, the Aerio is one of the few cars that can make a Corolla look sexy. While Suzuki’s website assures us “one thing is for sure about the Aerio: it really stands out in a crowd,” one thing’s for sure: it really doesn’t. The Aerio’s sheetmetal is so deeply and completely plain that Top Gear used it as a beast of burden for its ‘Star in a Reasonably Priced Car’ segment. And now it's a lame duck waddling into the history books. How should we remember this entry level captive import?
I’m 31, single and happy. So obviously my mother is constantly nagging me to get hitched and give her grandchildren. Even my sister’s impending marriage has failed to distract her; she’ll never be content until, presumably, I am not. Perhaps she’s right. I’m the only unmarried man at my weekly poker game. My best friend is expecting his first child this summer. If I were honest, I might admit I’m at the age when oat-sowing men settle down, produce offspring and molt. I can, however, offer at least one compelling reason for not introducing my spawn upon the world’s stage: I'd fit the Suzuki XL7's psychographic profile.
What the Hell’s a Suzuki’s SX4? I know it’s my job to know about these things, but I swear the test car greeting me upon my return from Old Blighty was the first one I’ve ever seen. If first impressions last, this tall, decidedly Japanese runabout says Subaru Forrester meets Scion xA on the suburban side of town. (In keeping with the parlance of our times, Suzuki shuns the “w” word and calls the SX4 a crossover.) A quick walk around revealed four big wheels, four big disc brakes, a Prius style double A-pillar and an AWD badge. Hmmm…? Could this sub-radar Suzuki be a sleeper?
Novice violin students using the "Suzuki method" aren't allowed to touch their instruments for months. Aspiring musicians who aren't driven insane by repeatedly fingering cardboard cutouts often go on to make beautiful music, once allowed. Too bad Suzuki doesn't practice Suzuki; we could have all avoided the underpowered and funny-looking last gen Grand Vitara in favor of the infinitely more accomplished 2006 model. Despite obvious improvements since the Vitara's dress rehearsal, the question remains: is the new Grand Vitara finally ready for Avery Fisher Hall?
To make the Grand Vitara a headliner, Suzuki's engineers stripped their mid-sized ute to the frame and started afresh. While the new Grand's exterior is a radical departure from the old two-toned, plastic-clad and dimpled Subaru wannabe, it's still a deeply conservative design. Super-spy stealth touches — sleek rails that rise ever so slightly from the roof, black-trimmed wheel wells, black side gills on the hood — add a welcome touch of aggression. Sure, some clunkiness remains. The side mirrors are a dress size too big for the cute ute, and the huge tail lights give the rear end a decidedly dated demeanor. But they're the only flat notes in an otherwise harmonious composition.
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