In Part One we looked at Clessie Cummins’ development of the first practical and reliable diesel truck engines and his earliest attempts to race diesels in the Indy 500. Though he had succeeded in developing the technology, he still hadn’t achieved the ultimate proof of concept that market success brings. Read More >
(Note to readers: This was the piece on Clessie Cummins that should have appeared first. Unfortunately, Part 2 of the series ran first and will be rerun later this afternoon — Aaron.)
Diesel engines have been in the news lately, and not for good things. The admission by Volkswagen that it has been using a software device to cheat on government emissions testing of at least some of its diesels may taint compression ignition, oil-fired engines in the passenger car market. The trucking industry, however, will continue to use diesels. That’s mostly because of a guy named Clessie Lyle Cummins.
If you’re an automobile or truck enthusiast you likely know his last name, but just as likely know nothing about him.
His accomplishments date to building a working steam engine for his family’s Indiana farm as an 11 year old in 1899, casting the engine parts from molten iron poured into hand-carved molds. As a teenager, he started to take odd jobs including fixing machinery, which led to a job at the maker of Marmon automobiles — Nordyke and Marmon. He was also member of the pit crew of Ray Harroun’s Marmon Wasp that was the winner of the very first Indianapolis 500 race in 1911, and offered suggestions that made the car faster. Cummin’s loved the Indy 500 and his engines would eventually run there, with some measure of success. Read More >
How do you feel about Hitler’s cars? No, I’m not talking about the KdF Wagen, aka VW Beetle, or its wartime variants like the Kübelwagen and Schwimmwagen. I’m talking about the cars more personally associated with the dictator and mass murderer, like his parade and armored cars that find their way into collections and museums.
I’ll get to der Fuhrer’s automobiles in a paragraph or two, but on the way there, I’m first going to discuss someone very stupid. Read More >
To be completely honest, I’ve never really understood all the adulation showered upon Buckminster Fuller. Yes, I know he was a visionary who popularized (but did not invent) the geodesic dome, which has some practical applications, but a lot of his innovations seem to me to be just a bit crackpotish. With the exception of the aforementioned domes, few of his other projects were fully practical. Take his Dymaxion car for example. Read More >
During the city of Detroit’s recent municipal bankruptcy, the billion-dollar-plus-valued art collection of the city-owned Detroit Institute of Arts became an issue due of the possibility the art might have to be sold off to pay the city’s debts. Less generally well known, but probably of greater interest to car enthusiasts, is another collection ultimately owned by the city — the six dozen or so vehicles that are owned by the Detroit Historical Museum. One reason why that collection isn’t better known is that most of its more famous cars are usually on loan, displayed at other museums. Read More >
Aaron Cole’s post about automotive patent art gladdened my heart. Years ago, I decided to check out some of Les Paul and Leo Fender’s original patents on their electric guitars and I discovered the artistry of patent drawings. These days the United States Patent and Trademark Office, as well as patent offices around the world, accept digitally produced artwork. However, before the digital age, an inventor had to hire someone skilled at technical drawing to produce the various exploded and see-through sketches needed to describe the “preferred embodiment” of a process patent.
Of course the “inventor” of a design patent — a slightly different form of intellectual property that protects the design and look of a product — is more often than not, the actual designer.
Following up on Aaron’s post, I decided to put the names of some notable automotive designers into a patent search engine to see what I could find. My hypothesis was that in the case of a design patent, particularly for a car, the artwork for the patent application was likely to have been drawn by the designer. A patent is a big deal to any engineer or designer and he’d likely want to be the one responsible for representing his own idea best.
As part of this gig, I see a lot of cars. Besides attending the major corporate auto shows like the North American International Auto Show here in Detroit, from spring into late fall almost every Sunday will find me at some kind of car show. Car museums are also some of my favorite places. Having entered my teens during the 1960s, when there were E Type Jaguars, Corvettes and Mustangs, it was easy for me to dismiss cars from the ’50s as old-fashioned, let alone vehicles from the pre-war classic era. As Mark Twain pointed out, though, I’ve learned a few things since I was a young man and my perspective has changed.
There are a lot of things that I like about the car hobby and, at the same time, there are annoyances. As someone who writes about automotive history, I can well appreciate the need for authenticity when it comes to restorations. I also understand that humans are competitive and that car shows are often actual competitions. Otherwise, there wouldn’t be such a thing as Best of Show. Consequently, there’s a place in this world for quibbling whether or not the wingnut on a 1958 Chevy is true to the VIN, but as I said, it can be annoying. Read More >
We’ll probably never again see something like the combination real world test and publicity campaign that put 50 Chrysler Turbine cars in the hands of American families to test drive for a few months in the mid 1960s. That we’re talking about it more than 50 years later shows just how effective the PR for the Turbine was. Consequently, the Chrysler Turbine is undoubtedly one of the best known concept cars ever. Less well known is the fact that the Chrysler Turbine as we know it started out as a Ford. Read More >
One of my editors once described researching a topic as “falling down a rabbit hole.” Four hours later, you end up far afield from the 1963 Whizbang X500 you started with. You never know what you’ll discover that could be new to you or your readers.
While tracking down details on the 1:10 scale 1939 Lincoln Continental styling model that sat on the desk of Edsel Ford —whose idea the Continental was — I heard a great story involving his father, Henry, and the clay modeler, Larry Wilson, who later discovered Edsel’s Continental clay styling model forgotten in storage.
It’s a true story about a 15-year-old boy who took a train ride to ask Henry Ford for a job and, as far as I know, it’s never been published before. Read More >