Here are a few books I consider required reading for Transportation Design students: The Reckoning, Rude Awakening, All Corvettes are Red and Car: A Drama of the American Workplace. These show what it takes to make a car…to make a designer’s work come to fruition.
Sadly, during my (short) time at the College for Creative Studies, we focused on creativity at all costs: pay no attention to the business behind the curtain. So while the Honda Crosstour is a curious stylistic exercise, does this dog hunt in the real world?
First, let’s just be surprised (impressed?) this design made production. The Crosstour’s XXL-sized grin proves something in the land of bloated CUVs, perhaps giving the impression there’s a big rig Cummins Turbo diesel behind it? This grille needs a good head shrinker, so to speak.
While the grille’s 2013 redesign (scroll to the end) helps tremendously, this frame’s massive size combined with its dull gray plastic frame doesn’t impress. To the 2012’s credit, the wraparound grille’s teeth add visual excitement not available with the 2013’s thick, wholly generic chrome rim.
The hard angles and modest chrome trim catches the eye, though a body color paint job in lieu of the gray plastic is price appropriate.
One of my more favorite angles: the hood sports sweeping and fluid creases, in the proud Detroit tradition of long noses for overt style and swagger. Unlike every other CUV, the Crosstour has some Vista Cruiser DNA. Not enough wretched excess, but the proportions and general attitude are the closest we’ve seen in a long while to yesteryear’s Olds wagon.
Aside from the appealing wedge at the bumper’s base, this nose is way over-styled. Note the headlight’s uncomfortable transition from the pleasantly proportioned yellow reflector to that massive center signal light with oversized black plastic frame: necessary to integrate the bloated grille into the bumper’s demure-ish form. Honda designer’s did a reasonable job cramming 10lbs of shit into a 5lb bag, indeed.
Then clock the fog light: the negative area (in the paint) at the leading edge of the fog light assembly needs to disappear to reduce the bumper clutter.
That said, the over styled negative area is trick when zooming in. Except for the fake slots in the black plastic: a smarter-textured alternative wouldn’t cost much more! Hell, make it out of fake carbon fiber instead of this Band-Aid look.
The bumper’s strong lower wedge is also present from here. The lower grille’s texture is simple, logical, and remarkably well proportioned…unlike so many elements on the Crosstour.
Shades of the Accord: the Crosstour’s headlights, fender flares and the fender/door’s swage line harken back to the last-gen Accord. It’s all good, because the Crosstour is a station wagon at heart. Aside from the suspension lift kit, clearly seen here by the big wheels and poseur-tall ride height.
But just wait…the lifted station wagon theme gets worse as we go further back.
The chamfered edge of this flare is unique, and worthy of possible implementation elsewhere in automobilia. The only problem? It tends to fight other elements presented on the Crosstour’s body.
Like the rim of the 1999-ish Chevrolet Silverado (and countless other GM products from this era) these fake wheel holes don’t evoke extra strength, performance or curb appeal. They merely look cheap. Either you add a hole at the bottom of this space or you fill it in. No excuses.
The Crosstour’s cowl is tidy enough, except that it’s not: the A-pillar’s bulk(?) requires a plastic filler panel for the fender to meet with the base of the windshield. A poor implementation, perhaps stemming from the Accord cowl’s inadequacies for CUV duty?
Another shot of the Accord-esque swageline. Unlike most swagelines that start small but grow upwards, the Crosstour’s goes down as it enters the front door. While not hideous, it’s certainly bizarre…you’ll see why in the next shot.
Combine the odd swage line with the fake slots (nestled in a negative area in the rocker panel) and there’s a lack of correlation. The design gets undefined, busy and generally messy. That bolt-on mudflap could keep more dirty lines from entering the equation, but the Crosstour’s undersized affairs don’t match the fender flare’s prodigious width, nor do they hide that line separating the fender and the rocker panel.
Visualize the alternative: reduce the fender flare’s width, fatten the mud flap and make the swage line “bend” at the deepest part of the negative area (i.e. the top row of slots) and bingo: a cleaner implementation.
Unlike the Pontiac Aztek’s profile, the Crosstour isn’t wholly hideous. There’s a bit of five-door hatch, a smidgen of AMC Eagle wagon, and the sky high beltline of a modern vehicle. Which definitely makes the Crosstour something unique, if not outstanding.
While this Evox image is too perfectly manicured, the Crosstour’s front-to-back flow works well. There’s a smart up kick around the rear door handle, a tough shoulder line (that shadow) above the taillight, a fast D-pillar, and a strong static line at the base of the doors that elengantly merges with the rear wheel’s arch. It all flows nicely without being too bubbly or too square.
And no DLO fail to speak of. Woot!
Not so pretty in the flesh, eh? First, the matte black C-pillar needs to be shinier to go with the chrome trimming. Second, the door cut line crashes through the fender flare, instead of following/dancing with that arch. More to the point, integrate the door cut line into the lowest point of the fender flare’s negative area. Sure, this exposes more rocker paneling, but draping door sheetmetal over everything looks decidedly…cheap.
Lastly, the swage line (what’s left of it) slams through the door handle’s negative area instead of flowing over: not elegant.
In case you missed it, here’s how the swage line intersects with the door handle’s negative area. The line should be further north to avoid this mess. And while you don’t see the BIG problem yet, the body’s increasing height and bulk is becoming a problem.
That’s not to say the rear isn’t without charm: the fast D-pillar, tapered greenhouse (i.e. gets slightly smaller past the rear door) and slight tumblehome looks elegant and somewhat muscular. No other CUV can pull this off…hell, even the Porsche Panamera looks flabbier from this angle.
And now, the moment you’ve been waiting for…drum roll please…the moment when the Crosstour goes from quirky and interesting to just plain offensive.
Because of the increasing height, the hatchback needs glass between the taillights and below the integral spoiler. (to improve visibility?) While that spoiler adds excitement, highlighting the acres of glass with a bubble dome hatchback like the Fox Body Mercury Capri woulda been so much sweeter.
Well, not sweet enough. The Crosstour’s rounded bottom tries too hard to be a sporty 5-door hatchback. At this (ahem) elevation, that dog won’t hunt. Instead of soaring upwards (at the side windows) the body’s belt line should remain static, emulating the height of the front door. Combine that with a flatter/boxier butt (keeping the bubble dome hatchback idea) and there’d be a quirky cool version of the AMC Eagle instead.
The glass has interesting touches, like the floating Honda emblem. The defroster/defogger lines delightfully contour around said emblem and the integral washer nozzle at the top (not pictured, my bad) are also a minimalist’s treat. In a world of afterthought CUV emblems, oversized and haphazardly slapped on a tailgate’s limited real estate, the Crosstour did a good job right here.
Too bad the wiper arm can’t hide under that spoiler! While the Crosstour’s strong haunches (above the taillights) and tumblehome are both sporty and elegant, everything goes horribly wrong south of the license plate. No more tall buffalo butts, please!
While the taillights start at the “end point” of the spoiler, they aren’t flush with the hatchback. The lense’s silver insert has no logical reason for its location: moving lower, where the hatch bends at the base of the glass would help integrate the form and reduce unnecessary “lines” on the body. (i.e. start the silver where that indoor light’s hard reflection is on the hatchback.)
What a mess! These hard lines make no sense with the upper half’s round glass and muscular haunches in the quarter panels. They are too harsh for too “long” of a form on this body. Unrefined!
Either the northern hemisphere needs some hard bends or this area needs softening up. Much like how the rear doors blanket over the natural location of the rocker panels, the tail lights shouldn’t be exposed in this bumper fold. The lights should be smaller to let the painted bumper flow naturally from the bottom of the tailgate to the base of the roof: one simple, logical sweep of painted body. Too bad about that!
Once more: too many harsh lines, accentuated by rounded and beveled tailpipes. Combined with the softer stuff up top and the excessive height brought about from the rear doors, the Crosstour’s butt steals defeat from the hands of victory.**
While the 2013 model looks a bit more interesting (especially in brown, ‘natch) the Crosstour doesn’t fit the CUV bill. When you combine CUV, hatchback and station wagon in this manner, you insult all three automotive genres in one vellum rendering. Too bad about that, because this idea has potential. And possibly merit.
Thanks for reading, have a great week.