We pick up our Lamborghini front-engine grand touring coverage at a time of design disappointments. Though the exotic Miura gave the company instant notoriety as it simultaneously created the super car class, the company’s other model was due for replacement. A more traditional looking two-door, the 400GT 2+2 was an edit of the 400GT Interim (2+1), which was itself an engine upgrade on the 350GT, the company’s first production car.
Ferruccio Lamborghini anticipated the need for a new design, and went in search of a 400GT replacement around the time it entered production in 1966. Lamborghini turned first to Carrozzeria Touring. But even though they penned the 350GT and 400GT designs, their two-seat shooting brake suggestion, Flying Star II, was not to Lamborghini’s taste.
In fact it was sort of like Touring didn’t read the prompt. An abandoned race car design called the 400GT Monza from Neri & Bonacini was also presented as an option. The firm built Lamborghini’s tube frames a few years before, but that didn’t lend them enough goodwill at Lamborghini to get their design accepted. Time for take three!
In our last Rare Rides entry we had a look at the oddball little BMW Freeclimber, a Daihatsu Rugger as edited by Italian design firm Bertone. Small SUVs has never been Bertone’s forte, however. No, the most well-known Bertone designs fall into the sports coupe category.
And here’s a prime example — the Alfa Romeo Montreal.
Before U.S. importer Max Hoffman convinced Mercedes-Benz there was a market for the now famous gull-winged grand tourer, the 300SL badge was earlier applied to the company’s first postwar factory racecar, the W194 that was victorious at LeMans in 1952.
Sixty years later, at the 2012 North American International Auto Show in Detroit, Mercedes-Benz introduced their latest iteration of the SL concept: the SL 550. To commemorate the occasion, and the original SL’s 60th birthday, Daimler restored the oldest existing 1952 300SL — chassis #002 — and brought it to Detroit with its newest descendant. Unfortunately for the hundreds of photographers who tried to seize what was likely their only opportunity to capture such a rare and historic car, stagehands quickly surrounded the car with stanchions and rope almost as soon as the 300SL #002 came to a halt on the stage.