#Design

Toyota may have revealed the design of the next Camry sedan in an unrelated video. The supposed leak comes via a rather straightforward clip from the automaker explaining the difference between buying and leasing. It uses the Camry as its demonstration vehicle, usually represented by die-cast toys scaled to fit in the palm of the hand.

While Acura recently unveiled its first production EV, the 2024 ZDX crossover, during Monterey Car Week, the model didn’t quite reach the ridiculous levels of extravagance the event is known for. Fortunately, the company had something in its back pocket with the “Performance Electric Vision Design” concept it teased in tandem with the all-electric ZDX. 

Yesterday we brought you the details on the 2024 Hyundai Santa Fe. The Santa Fe's new duds are quite blocky, just like those of the Land Rover Defender (Hyundai claims this is a coincidence. Other blocky SUVs on the market include the Ford Bronco. Other Land Rover/Range Rover models are squared off, too. Kia, which is a corporate sibling to Hyundai, has been selling the blocky Telluride for a while now.

In what our Managing Editor rightly described as ‘mild news’, Infiniti has announced they will use the unspeakably pompous Pebble Beach Automotive Week to show a concept vehicle they claim previews the brand’s next-gen design language.

With the 2024 Lexus GX forthcoming, the manufacturer has been issuing teasers to whet the public appetite. Thus far, it seems like the company will be offering a boxy design hoping to balance a rugged aesthetic without sacrificing a sense of luxury. But the initial teasers looked extremely aggressive, undermining the premium nature of the brand. 

But Lexus issued another teaser image this week, offering a better sense of the vehicle that’s slated to debut next month. 

BMW introduced the Concept Touring Coupe at the 2023 Villa d'Este Concorso d'Eleganza in Italy. Clearly intended to be a throwback to the convertible M Coupes of the past, the design has metamorphosed the current-generation Z into a shooting brake.

With the Chrysler Airflow debuting during the CES expo in 2022, practically everyone assumed it would be the brand’s first all-electric model. The concept looked more like a prototype than some fantastical model intended for production decades down the road and even came with a limited spec sheet offering figures that seemed to exist within the confines of reality.

But it’s not the vehicle the brand intends to lead with. Stellantis’ chief design officer, Ralph Gilles, has confirmed that Chrysler’s new CEO, Chris Feuell, wanted something completely different that would differentiate the brand from everything else on the market.

While Milan Design Week is primarily focused on showcasing the latest representations of furniture you couldn’t possibly afford, sometimes a car or two gets thrown into the mix and Alfa Romeo had one hell of an entrant prepared this year. But it wasn’t a new design.

Instead, the Italian automaker rolled out the Carabo concept from the 1968 Paris Motor Show. As one of the first vehicles to pioneer the wedge shape that became synonymous with supercars in later decades, the Alfa holds a massive amount of historical significance. However, there may be more going on than the automaker simply wanting to take a trip down memory lane.

Designers from Mercedes-Benz and Moncler have put their heads together to create one of the weirdest automobiles seen in years. Revealed at Moncler’s “The Art of Genius” show held during London Fashion Week, the Project Mondo G is the result of Project Maybach designer Virgil Abloh and Moncler’s Genius label asking the age-old question “what would it look like if someone put the G-Glass inside of a giant puffer jacket?”

While we don’t generally rush to mindlessly parrot news about executive changes at major car companies, this one is worth noting. After all, with this shakeup in Germany, it means VW Group and Porsche are about to share a design chief – but one with a familiar face.

The Chrysler 300 was the first production car to use the LX platform and was arguably the most important as well. We discussed the debut and styling of the exciting new 300 in our last LX platform installment. When it debuted in 2005 with retro-inspired muscle car styling and a good deal of Mercedes-Benz componentry, it garnered an immediate and positive impression from the buying public with its looks. But did it fare as well on its interior? Let’s find out.

Ferruccio Lamborghini finally realized his dream of a proper four-seat grand touring coupe with the introduction of the Espada in 1968. The Espada entered production after a long and difficult styling process, which occurred simultaneously with a long and difficult engineering process. After multiple restyling attempts (and the use of a canned Jaguar coupe design), the Espada was produced in its Series I format from March 1968 to November 1969.

Thus far in our Chrysler LX platform coverage, we’ve discussed two designs that never made it past the working concept stage. The first of those was the Airflite, a Crossfire-styled hardtop hatchback, while the second was the larger Nassau which was also a hardtop hatchback. Neither of them had pillars, and both focused on the future of car design. 

Journalists made incorrect predictions at the debut of both concepts and stated that the Airflite (in 2003) previewed the upcoming 300’s styling, while the Nassau (in 2007) was a sneak peek at a new styling direction for the 2008-ish revamp of the then-current 300. While those assumptions were wrong, a never-debuted Nassau design from 2000 was the actual genesis of the 300’s styling. And it appeared on the new LX platform in 2005. 

Now that Stellantis owns Citroën, there's a chance North America may see automobiles wearing French badges populating its streets once again. However, the corporate emblem may look a little different from the one you remember – assuming you're old enough to recall seeing them before the company pulled out of the market in 1974.

It was a long, uphill battle to get the Espada into production. Seemingly no designer would deliver on Ferruccio Lamborghini’s desire for a four-seat grand touring coupe. While style was fine, outlandish design was unacceptable. Yet designers disappointed him on the Islero (which was supposed to be a real four-seater) and fought him on what became the Espada.

Marcelo Gandini at Bertone was forced to redesign the Espada more than once to comply with Lamborghini’s wishes, even though its Jaguar Pirana looks stayed intact. Gullwing doors were a favorite feature of Gandini’s, but Ferruccio declared they were ridiculous and impractical for such a car. And while the styling was being settled, there was quite a bit of new engineering taking place for the Espada, too.