#3WTP
What's Wrong With This Picture: Yesterday's Future Today Edition
What's Wrong With This Picture: Global Brands, Global Values Edition
In America, certain European cars ostensibly set their drivers apart as willfully unique characters. Cars like the Volvo C30, or just about any Saab indicate that the driver’s desire to be seen as quirky iconoclasts outweighs any of the more rational metrics that might guide the car-buying process. And while in the US, compact size and European pedigree are the keys to stepping out of the automotive mainstream, making an automotive statement in Europe requires the opposite approach. Pickup trucks, muscle cars and American SUVs are the signifiers of choice for the Europeans who find themselves marching out of step with their efficient hatchback-driving fellow citizens. As a result, European advertisements for motorized guilty pleasures, like the one above, play on the perception that big V8s are downright antisocial. By refined European standards, no one should drive a brutish Camaro… but what’s more fun than blowing a supercharged raspberry at social niceties? And though the marketing for American muscle cars in Europe practically writes itself, global brands like Chevrolet don’t necessarily want the Ameri-barbarian associations… which might explain why Chevrolet has canceled plans to build a right hand drive Camaro.
What's Wrong With This Picture: Obama Motors Edition
What's Wrong With This Picture: A Wrex' Progress Edition
What's Wrong With This Picture: You Get What You Pay For Edition
Pictures are supposed to be worth a thousand words, but this one is good for at least two whole life lessons. First: you get what you pay for. If you buy the world’s cheapest car, as insurance agent Satish Sawant did, it might just burst into flames on the drive home from the dealership. Second: Google Adsense has no sense of irony.
What's Wrong With This Picture: HUMMER Goes Green Edition
Artist Jeremy Dean goes “Back To Futurama,” with this “horse-drawn testament to the collapse of the auto-industry.” [via animalnewyork.com, HT Richard Chen]
What's Wrong With This Picture: Maximum Legacy Edition
What's Wrong With This Picture: Tuning Hits Bottom At Bodensee Edition
What's Wrong With This Picture: Autoblog Ups The Opera-Top Ante Edition
What's Wrong With This Picture: Fish In A Barrel Edition
What's Wrong With This Picture: What Do You Want To Be When You Grow Up? Edition
What's Wrong With This Picture: The Missing Variable? Edition
The Atlantic’s Megan McArdle, piggy-backing on analysis started by Overlawyered’s Ted Frank, tracked down all the available ages of reported incidents of unintended acceleration in Toyotas and graphed them. The results speak volumes, as does Frank’s assessment that:
These “electronic defects” apparently discriminate against the elderly, just as the sudden acceleration of Audis and GM autos did before them. (If computers are going to discriminate against anyone, they should be picking on the young, who are more likely to take up arms against the rise of the machines and future Terminators).
McArdle’s graph of incidents by location (parking, freeway, etc) after the jump.
What's Wrong With This Picture: Kia's Optima-sm Edition
Quick, want to guess what the single piece brings more traffic to TTAC than any other? Thanks to an early Korean-spec test (don’t worry, further tests of the US-spec model are forthcoming) and the blessings of good Google rankings, our 2011 Hyundai Sonata review has been our single biggest source of traffic over the last several months. But getting a review out early isn’t the only reason so many folks are finding their way to TTAC by way of the Sonata: people are researching the car like crazy. Kelly Blue Book lists the Sonata as its number four most-researched vehicle, as does Edmunds.com, indicating that it’s poised to play with the perennial chart-toppers from Honda and Toyota. Meanwhile, Kia still has yet to make the jump to mainstream prominence, although its version of the Sonata (still unfortunately named Optima) could be an important step in Korea’s bid to make inroads on the US market. Certainly its Peter Schreyer-designed lines won’t have anyone confusing the Optima with a decontented Sonata.
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