Top Gear Wrecks Lamborghini Diablo During Filming

Television’s Top Gear recently resumed filming on the upcoming season (series 29, if you acknowledge the authority of the Queen), and news of a crash has your author feeling excited about the program for the first time in a while. It also provided an opportunity to actually learn the names of the presenters who aren’t Chris Harris, who was not at the helm of the vintage Lamborghini Diablo that unexpectedly went off-road.

Comedian Paddy McGuinness hopped on social media to let fans know he was safe on Tuesday, following numerous reports that he had suffered an off while the boys were filming it running around in North Yorkshire alongside a Ferrari F40 and Jaguar XJ220. Neither McGuinness nor the other two vehicles/hosts are said to have sustained damage, though the Lambo took a beating, potentially providing us with some top-flight entertainment later this year.

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Vellum Venom Antidote: In Defense of the Lego F40

Sajeev’s hot take on the Lego F40? Unclean! Abomination! We don’t need no studs in our Italian stallions. The blocky limitations of Lego have bricked Pininfarina’s flow, making a supermodel’s curves about as sexy as Samus Aran in her NES bikini.

I just finished putting together this thing and I disagree entirely. Judged as an accurate representation of the breed? Who cares? Here, the medium is the message.

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Vellum Venom Vignette: Diecasting A Designer's 8-bit Nightmare?

I suspect there’s more than a handful of Transportation Design students finding employment in the toy business and I know my fellow design classmates at CCS collected diecast model cars. They’re inspirational, personally helping me render light/shadow reflections on the vellum.

Visits to (Pasteiner’s) Auto Zone happened regularly, sometimes with the same higher regard than local religious institutions. So spare me, oh mighty autoblogosphere, from the manufactured excitement of Lego’s F40 kit.

I reckon it’s a designer’s 8-bit nightmare.

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The Duel

In the summer of 1989, I was ten going on eleven. The fastest car I had yet ridden in was probably my dad’s 535i, clocked by the CHiP at well over the tonne, a ticket which the patriarch of the family talked himself out of with a “Not bad, right?”

It was hard to say if I really cared about cars yet: obviously they were important to my dad, and I’d already learned to drive our Series III Land Rover at walking pace on the banks of the Fraser River, but there were new Pirate sets coming from Lego, and G.I. Joe had just released a barely-disguised SR-71 Blackbird for the Cobra forces. Sean Connery had joined Harrison Ford in a quest for the Holy Grail. A friend had just gotten the new, side-scrolling Zelda Game.

The world was full of simple distractions for a young man: Transformers and Teenage Mutant Ninja Turtles, E.T. and Ewoks, Yop bottles filled with vinegar and baking soda, Thundercats and Space Quest III.

Then, one day, in the basement of a Ladysmith home, I climbed behind the wheel of a 16-bit Porsche 959 and the whole world changed. I was exposed to the founding tenet of automotive enthusiasm.

What? The supercar? Don’t be daft, I’m talking about arguing.

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