#ParkedInDrive

It’s difficult to imagine this happening today: Picture a major domestic automaker announcing the last hurrah of its largest, most opulent personal luxury car with the usual array of special edition models. But instead of letting its own designers handle the “collectible” trim-and-paint kits, it employed a fleet of famous, mostly European fashion houses to send off their last-generation model in style.

From 1976 until the early 1990s, Lincoln did exactly this for its flagship Continental coupes.

Pickup trucks are a stereotypically American product, right up there with blue jeans and barbeque. The best-selling vehicle in America for the past 35 years? Ford F-Series. And the pickup truck defines our needs as a nation, maximizing towing, luggage, and passenger capacities as much as possible at the lowest possible price.

But must a pickup wear an American badge for us to consider it a proper truck?

After seeing innovative trucks like this 1968 VW Type II Transporter, you can’t help but ask, “Why must these be so rare in America?”

Initially, I drove to Penmar Golf Course expecting to find a Rolls-Royce.

My partner Leslie (a fine car spotter herself and the originator of the “Parked in Drive” name) mentioned seeing a swoopy car with a “flying lady” radiator mascot parked there for sale. When I pulled into the parking lot and saw this tan-on-brown behemoth, it was clear the Rolls was gone, replaced by something far more fascinating.

All the typical cues — separate fenders, landau top, whitewall tires — indicating a classic car also placed it in that most self-contradictory of categories: “Neo-Classic.” The coupe’s “bustle-back” trunk initially reminded me of the last Cadillac design approved by Bill Mitchell, the second-generation Cadillac Seville (which, in turn, took inspiration from t he mid-1930s “Razor Edge” Bentley), and gave me a useful spread of dates to search: 1980-1985.