How Henry Ford, Who Published Racist Diatribes Against Jazz, Helped Popularize the Sound of Jazz and R&B
Henry Ford playing fiddle with his old-time dance orchestra on his 70th birthday in 1933. (From the collections of The Henry Ford)
Henry Ford was unquestionably a great man, but he was not a very good man. As an entrepreneur and industrialist, he may have changed the world — for the better, I personally think — but as a human being he had serious failings. According to Richard Bak’s Henry and Edsel, the elder Ford would humiliate his son, Edsel, in public because Henry, a farm boy, worried that his only child would become the soft son of a rich man. That practice continued into Edsel’s adulthood.
Clara (Mrs. Ford) had to make her peace with Henry’s long-term relationship with Evangeline Cote Dahlinger, whom the industrialist met when he was 50 and she was 23 — his associate C. Harold Wills’ secretary at the Highland Park plant. Her son John Dahlinger asserted that he was the son of Henry Ford, whom he strongly resembled.
Ford’s public life was no less unsavory. His bigotries are well known. In his mind he divided the Jewish community between “good Jews” — those he personally knew, like architect Albert Kahn — and “bad Jews,” the boogeymen “bankers” of his fevered imaginations. Less well-known is the fact that many of the most hateful things attributed to Ford were not his own words.
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