#sedans

The engine of the current Mitsubishi Mirage, much derided for its alleged slowness, must pull a bit more than 27 pounds of car for each of its 78 horsepower. That's underpowered, yes? Not compared to the Mercedes-Benz W123 equipped with a naturally-aspirated four-cylinder diesel engine! That's the car we're going to admire for this week's Junkyard Find.

It’s time for more Abandoned History, where the topic is Edsel and the year is 1960. It was to be the final outing of the Ranger, and the last year of Edsel as an entity. The Ranger had an interesting journey over its short three-year tenure and served as Edsel’s entry-level car in 1958, its mid-level sedan in 1959, and finally as its only sedan offering for 1960. Each of those years saw different styling appear on the Ranger, as Ford tried desperately to save the Edsel brand after its disastrous debut outing in 1958. Even though the Ranger was new in 1958 and heavily revised in 1959, it was all-new in 1960.

On Tuesday, Honda teased the arrival of the 11th generation Accord – offering a series of darkened photos and just enough relevant information to whet one’s appetite.

When it came time to replace the dated (but very popular) Austin 1100 and 1300 models, British Leyland had many different and conflicting missions in mind. It wanted to turn the Austin brand into an outlet for new, adventurous cars while simultaneously using as many off-the-shelf BL parts as possible. The company also requested a sleek and forward-looking design in the angular early Seventies tradition, but then insisted on making it rounded because of its recent metalwork research for an ill-fated Mini replacement.

We return to our Edsel coverage today during the second model year of the company’s entry-level car, the Ranger. When it debuted amongst the six other Edsel models in 1958 it was the cheapest and the least ornamented of them all. However, it was still more expensive than the nicer Fairlane 500 upon which it was based, and indeed priced similarly to a more upscale Mercury, the Medalist. 

Today we embark on the story of the small British car made famous long after its demise by a certain BBC car program. It was ugly, poorly made, and had a nasty reputation while it was still on sale. We're speaking of course about the Austin Allegro. Prepare yourself for the forward-looking new car from British Leyland.

Edsel’s first year in 1958 proved very disappointing for the folks at Ford. The company’s unusual styling didn’t click with consumers, there was a sudden recession, and the average American consumer realized they didn’t have to buy a brand new car every year or two. And so it was that Edsel’s seven-model portfolio was reduced to just three for 1959. Leading the charge was the most successful (and cheapest) Edsel, the Ranger. It turned out that for Edsel buyers of 1958, less was more.

Over 14 installments, we’ve finally reached the conclusion of our coverage of Kia’s midsize and large sedans. The Korean manufacturer’s original offerings were borrowed from other companies, most often Mazda. It’s been a long journey, but we finish our tale today with a promising-looking front-drive sedan that’s off-limits to North America. You might never have heard of it.

Last time in our Kia large car saga, we learned much about the second-generation K9. Kia’s large, rear-drive luxury sedan wore K900 badging most places (including North America) but was also called Quoris on occasion. After a first generation that failed to capture the interest of global consumers, Kia went bigger and better for its second attempt. 

The larger, more luxurious, and more refined K900 debuted in 2018 for the 2019 model year. It was as good a car as Kia could offer, a statement that was printed with an asterisk: From inception, any Kia flagship had to be lesser than its Genesis (nee Hyundai) sibling. Not as large, not as luxurious, not as showy, not as expensive, and without a long-wheelbase limousine. Let’s find out how it fared.

Rare Rides Icons has been embroiled in the Stutz story since February of this year. Through six months and 20 total installments, we’ve covered the entirety of the Stutz brand’s evolution. Stutz started with a win at the inaugural Indianapolis 500 and eventually morphed into a manufacturer of high-powered luxury cars. After the emphasis turned to safety and away from racing, Stutz lost its footing quickly and went extinct.

Decades later it was resurrected by a wealthy man with a background in banking. In 1970 the new Stutz Motor Car Company capitalized on a wave of gauche neoclassical styling that the well-heeled of Hollywood and the Middle East so lovingly embraced. From there the Stutz lineup grew larger, more ostentatious, and more ridiculous. For a time the company sold its wares almost exclusively to foreign regimes, the exported vehicles long lost to time. 

We finish the series with the largest and most exclusive Stutz ever built. Massive in length, it was much larger than the Duplex, IV-Porte, Victoria, and indeed the Diplomatica. We close out the Stutz chapter of our lives with Royale and a very interesting recent announcement.

In our last installment of Kia’s large sedan history, we took a look at the second generation Cadenza. With its second salvo at the likes of the Toyota Avalon and the Buick Lacrosse, Kia planned to capture the near-luxury sedan customer who cared about value. Unfortunately, the Cadenza didn’t excel at anything in particular, and failed to stand out against more established competition.

A similar story played out a few years before when Kia introduced the first full-size rear-drive luxury car it ever designed in-house. Called the K9 (Quoris or K900 elsewhere), the large sedan shared a platform with the new rear-drive Hyundai Equus. Both sedans were the flagship offerings at their respective brands. 

The Equus was flashy and almost American-inspired, while the K9 was conservative and understated. But it turned out a large and anonymous looking luxury car was not to the taste of most customers. Even in its home market, buyers vastly preferred the Equus and its large winged hood ornament. What was Kia to do?

Today we find ourselves in the 19th chapter of Stutz historical coverage. In the early Eighties Stutz (somewhat) successfully branched out from its Blackhawk-only product line, and made the Bearcat targa, the Bearcat II convertible, some SUVs for dictatorial armament and parade usage, as well as sedans and limousines. 

We’re in the latter group of automobiles at the moment. So far we’ve covered the one-off Duplex that found no customers, and its successor the IV-Porte that did. After the IV-Porte came the Victoria, which added 10 additional inches to IV-Porte’s base, the B-body Bonneville. Victoria survived the Bonneville’s full-size demise in 1981 and moved its basis to the similar Oldsmobile 88 in 1982. Around that time Stutz added an even more exclusive, larger, and more garish sedan to the lineup. Let’s talk about Diplomatica.

Kia’s second attempt at a K7 (Cadenza in North America) arrived at a time when the company fully embraced a styling language of its own. More upscale and nicer to look at than the derivative generation of 2010 to 2016, the new Cadenza debuted in all global markets for 2017. Kia was hopeful the second Cadenza would sell better than the first one, particularly in North America. Any predictions on how that went?

Today’s Rare Ride is brought to you by a Tweet that featured today’s subject and was the exact moment your author became aware of its existence. Released in the Nineties prior to the American retro styling craze, the Classic was a limited edition sedan sold only to Japanese customers. Curious yet?

We return to our historical Stutz coverage once more today and continue reveling in the four-door sides the neoclassical entity offered alongside the Blackhawk, its sole entree. In our past two installments, we covered the first two sedans offered by Stutz, the Duplex and the IV-Porte.

While the Duplex was a one-off and based on either a Cadillac Fleetwood or a Pontiac Grand Prix (it’s unclear), the IV-Porte traced its lineage very clearly to the B-body Pontiac Bonneville. Offered from 1979 to 1981, the IV-Porte found around 50 customers for its GM-adjacent and gold-plated styling. At the time of the Bonneville’s demise, Stutz was happy with the decent sales clip of the IV-Porte and was not about to go without a sedan offering. Enter Victoria.