By on August 24, 2017

Baby Driver Subaru, Image: Working Title Films, via IMCDB

What’s the difference between art and modern art, between Michelangelo and Mondrian? The best way I know to explain it is this: Modern art requires a deep grounding in a particular context. Modern art is reactive. It assumes you know the history and that you’re capable of seeing how it reacts to, and interacts with, that history. To put it kindly, modern art is a continuation of the dialogue between artist and critic in an era where all of the technical problems of perspective, representation, and accuracy have long been solved. To put it less than kindly, modern art is a tiresome insider’s joke where you pay handsomely to be in on the gag.

To some degree, this is a natural consequence of any mature art form, whether it is painting, rock music, or motion pictures. All of the original ideas have long since been discovered and comprehensively realized in film, so any new movie has to make a choice: Do you approach your chosen genre wholeheartedly and with a craftsman’s intent, like Michael Mann did in “Heat,” or do you spend the whole time winking at the audience, as Matthew Vaughn does in “Kingsman”? In other words, do you create art, or do you create modern art?

In the case of “Baby Driver,” I suspect that the viewer’s opinion on this matter will depend almost entirely on his (or her) age.

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By on May 6, 2015

House of Cards Ignition_snip(1)_snip

If you’re into American politics, have access to a high-speed Internet connection, or you’re a Kevin Spacey fan, you’ve watched – or have heard of – House of Cards. You know, it’s that show where Kevin Spacey puts on his best Southern accent and somehow manages to manipulate his way up the political ladder from being the majority whip to the presidency of the United States. At this point, if you’re planning to replicate Frank Underwood’s journey to the top, it should be noted that no House whip from either party has ever become President of the United States, with Dick Cheney (House Minority Whip for two and a half months in 1989) coming the closest to the prize. But ladies and gentlemen, Frank Underwood’s rise to power never should have happened, due to a particular, automotive-related moment during the first season.

(Spoiler alert from here onwards if you’ve never watched House of Cards. Seriously, watch it. You’ll be worse for it in so many ways, or maybe you’ll be a lot better at playing office politics or at imitating a Southern accent, but watch it.)

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