By on January 23, 2018

It’s odd to consider, but in a world where Steve McQueen had never lived I’d be about three dozen serious injuries better off than I am today. Scratch that. I don’t need him to have never lived. I just need him to have not supported the production of “On Any Sunday.”

That film romanticizes the Elsinore GP, which in turn led me to enter the Elsinore GP, which led me to break my leg training for the Elsinore GP, which led me to record a big fat DNS for the Elsinore GP. Worse than that, however, the opening sequence of “On Any Sunday” is commonly understood to be the catalyst for the sport of bicycle motocross, which has treated me worse than Ike Turner treated Tina.

Not that I bear any grudge against the man, mind you. I do, however, have complete and abiding contempt for the consumer-driven culture of McQueen worship that has arisen in the past 20 years or so. If you wear Hunsiker McQueen shoes or a McQueen T-shirt, or if you repeat the “Racing is life” line from LeMans like it was someone’s actual philosophy and not just a line written for an actor on a set, I’m going to think less of you. It’s not because McQueen was a vile person at times, although it is worth noting that his behavior often went past the rambunctious into the just plain despicable. It is because while boys and teenagers need heroes to admire and emulate, grown men shouldn’t wear another man’s face or name on their bodies if they can help it. Period, point blank.

Last week, Ford introduced a new “Bullitt Mustang” with the help of McQueen’s lovely granddaughter, Molly Flattery dba Molly McQueen. I have to say that I like everything about the car but the new-for-2019 nose, which is uncomfortably catfish-esque, and the “Bullitt” logos. As was the case the last two times a Bullitt Mustang appeared, there’s been a revival of interest in the movie. My wife had never seen it, so we watched “Bullitt” this past Friday night. Shortly afterwards, I read a Jalopnik piece by Raphael Orlove describing the movie as “boring garbage.”

It seems like the right time to take a look at the film without Gulf-colored lenses or Millennial-ish suspicion, so let’s open the curtain on another episode of TTAC At The Movies, shall we? Warning: spoilers ahead for those of you who haven’t managed to catch the film in the past 49 years. (Read More…)

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