#Styling

I’ve long said that stereotypes exist for a reason, perhaps to my ever-increasing danger from the “that’s problematic!” crowd. In many cases, however, it’s a false assumption. An unfair one. We’re a society of individuals who do things and like things for a variety of reasons.

Not every Silverado driver is a backwards-thinking hayseed. For from it. In the same vein, not every Challenger owner is a brash, nature-hating blockhead whose intellect never rose above a high school level. Not every Bimmer owner is a terrible boss and womanizer who hasn’t made use of a turn signal since the early 1990s. Not every Journey owner is oblivious to the presence of other, higher-quality vehicles on the market — their dealer just made them an offer they couldn’t refuse.

Still, automotive stigmas exist, and persist. General Motors once found out the hard way that holding on to the past was actually harming the future of its halo car.

Fiat Chrysler executives have made it very clear: the next-generation Ram 1500 needs to move away from the styling cues of the past, no matter how hard the transition will be for brand traditionalists — or Ram execs.

We’ve already seen movement in this direction. Several 1500 trims — Rebel, Laramie Longhorn, Limited — have already ditched the signature crosshair grille for a new design, positioning the Ram name dead center, flanked by two U-shaped ribs. If you’re still unsure of what kind of truck you’re looking at, the 10-foot-high chromed letters adorning the tailgate provide a second subtle hint. Hashtag branding.

As seen in these spy photos, the next-generation 2019 Ram 1500, due for an unveiling at the North American International Auto Show in Detroit next month, has a face that’s bound to stoke controversy.

It’s an “eye of the beholder” kind of thing. Like in the Twilight Zone episode of the same name, sometimes a great-looking vehicle stands out as a freak in a world of uglies. Some models we just don’t appreciate like we should. We grow accustomed to a singular form of beauty.

We’ve turned our critical gaze on past and current models before, but this time we’re asking you to to focus on new (or refreshed) for 2018 models. There’s no shortage to choose from. Honda’s all-new Accord; the heavily (and questionably) revamped Toyota Camry; the frowny-face Ford Mustang; the glitzy rolling mass of the newly sculpted Lincoln Navigator. Throw the Kia Stinger in for good measure.

You’re in good company for this question. However, is the Class of 2018 a bunch of lookers, or is it just a pack of duds?

While it’s impossible to imagine you haven’t already noticed, Japanese automakers are entering a new era of style. Disparate from each other and unabashedly novel, vehicles are beginning to crop up at trade shows and on the road that we couldn’t have seen coming a few years earlier.

Right now, the most obvious examples are from Toyota and Honda. But even Mazda, Subaru, and Mitsubishi have recently made a concerted effort to step up their styling game. The reason, according to manufacturers, is new competition.

It wasn’t all that long ago that Japan could offer a fairly dull automobile and bank on its superior quality and value to get prospective buyers to take it home. Things are different now. The quality gap is beginning to close and other manufacturers are getting better at providing most of the things that used to denote something as distinctively Japanese.

Take a mental trip back to the late 1950s. Imagine, if you will, a Detroit Three dealer’s lot. Tailfins lifted themselves towards the heavens, slicing through the air in a bid to capture Sputnik 1. Conical headlight assemblies and bumper guards jutted from the chrome-laden fronts of America’s Interstate cruisers, virilely thrusting through the air as the country’s economic climb continued its dizzying ascent.

Sex was everywhere, just not on film. Well, for the most part. Images of Jayne Mansfield mingled with thoughts of powerful rockets and ICBMs in the minds of Detroit designers busily crafting the next jet-age car for nuclear families living in the Land of the Free. Let the Soviets have their gray, uninspired, designed-by-committee Commie runabouts.

While the need to draw eyes to new vehicles hasn’t faded from the automotive business model, the sources of inspiration have changed. It’s much more diverse (and far more PC) these days. While the latest crop of family sedans weren’t sculpted by designers with sex or weapons on the brain, you’d be surprised what object actually held sway over the final shape.

As Tim Cain put it so succinctly earlier this afternoon, the seventh-generation Hyundai Sonata’s exterior design, coming on the heels of the quite edgy 2011-2014 model, didn’t set American’s hearts aflame.

Even as standard content increased and the model’s value proposition burned just as brightly as before, its distinctively watered-down design turned off buyers. Well, Hyundai wants its apology heard loud and clear. For 2018, the Sonata atones for the previous generation’s sins by showing up with something to look at.

Namely, a brand new face. Oh, and how about that rear end, now with less ovals? While fore-and-aft facelifts are the hallmark of a mid-cycle design refresh, the 2018 Sonata’s changes aren’t just skin deep.

We’re not going to recap all of Faraday Future’s staffing issues, financial hurdles, or uncouth business practices. If you’ve visited this website within the last year, you already know the company has some serious problems to overcome.

Despite these hardships, Faraday remains convinced it’ll resume construction at its stalled factory site in Nevada and someday bring the FF91 to market. However, we haven’t seen much of the EV since the debut of the beta version at CES in January — and it was beginning to look like we never would.

Then, without much fanfare, a video of the electric crossover surfaced on the company’s YouTube page on Monday. The new video shows a decidedly less beta-looking vehicle than Faraday has previewed in the past. That doesn’t mean this is a production car, but it does seem to show what one might look like if FF can weather the storm.

To say the 2018 Chevrolet Equinox is an important model for General Motors is to downplay the importance of the crucial compact crossover segment. Lighter, trimmer and more fuel efficient than before, the new right-sized Equinox erases many of the drawbacks of its long-in-the-tooth predecessor.

However, if “Old GM” was still in existence (and some would argue it still is), the 2018 model would have arrived on dealer lots with a built-in drawback approved by Detroit bigwigs. By that, we mean design. According to the vehicle’s chief engineer, the third-generation model’s initial design sent focus groups scurrying up a tree.

Mercedes-Benz is giving the world an artful taste of its next generation of compact cars with its “Aesthetics A” design study. The updated design adopts a rounded, flowing look without the complete abandonment of hard edges. Benz claims the new aesthetic is the evolution of the current “Sensual Purity” design’s organic and tapered shapes. Great marketing, but it just makes the next design philosophy sound less intricate and involved. It sounds a little boring, although we won’t know for sure until we see a finished car.

In the abstract, however, the study hints at the general shape of eight new compact models coming from Benz over the next three years. The new A-Class, B-Class, GLA, and CLA will all be touched by the less curvaceous styling identity, which includes an imposing grille. A new compact sedan will arrive to rival Audi’s A3, along with an additional crossover to serve as an alternative to the GLA. All of the vehicles will make use of Benz’s modular front architecture platform (MFA) and move closer to in shape to company’s larger sedans.

Pininfarina SpA will be see Carlo Bonzanigo succeeding Fabio Filippini as the Italian styling firm’s reigning design director on January 9th.

Filippini’s decision to leave Pininfarina for “personal reasons” comes during a difficult time for the shop. While his responsibility for heading new projects is essentially over, he has promised to remain on board as a personal advisor to company CEO Silvio Angori, and will continue to provide oversight for old projects leading up to a concept car unveiling at March’s Geneva Auto Show.

How ’bout that new Civic sedan? I don’t know about you, but I think it’s the boldest mainstream design I’ve seen from a Japanese manufacturer since Honda got rid of the hidden headlamps on the Accord back in ’92. It’s got a ton of surface texture, a vicious fastback profile with a tiny trunk opening, and big wheel arches like a show car.

There’s only one problem; it’s a clear and present riff on the Audi A7. But as we’ll see, this is a game Honda has played before.

Here’s something to depress our older readers: There is an entire generation of drivers that has never known a world without Lexus. Note that I did not say “Lexus and Infiniti.” The majority of American drivers probably have no idea Infiniti exists.

It wasn’t supposed to be that way. I was there at the start, working for a BMW dealer, and I can tell you that many people on the retail side of the business thought that Infiniti would prove to be just as successful as Lexus. Maybe more successful. All of the momentum seemed to be on Nissan’s side: They had the near-legendary Nissan Primera as Infiniti’s entry-level car, beloved of autowriters and cognoscenti everywhere. Toyota had a Camry with frameless windows. Infiniti had the mighty, dream-crushing Q45, which was as fast as a V12 Bimmer and styled from nose to tail in an original, tasteful, fake-wood-free fashion. Toyota had a store-brand copy of the S-Class.

It didn’t turn out that way, of course. We now live in a Lexus world. The brand is so strong that other brands, like Cadillac, obtain the bulk of their sales volume selling knockoff versions of the RX350. I don’t have access to hard numbers, but I would suspect that Lexus dealers are more profitable, per unit sold, than any other franchise south of, say, Porsche.

And where is Infiniti? Nowhere. Lost. Sinking. The reasons for the brand’s failure are too numerous to consider in a single article. But I’m going to discuss what I think might be the most important reason here, because it doesn’t just apply to Nissan’s boutique brand and it continues to affect everyone from Honda to Hyundai.

It looks like the awkward years are over for the subcompact Hyundai Accent.

Our first glimpse of the next-generation Accent comes courtesy of leaked photos from China, where the model goes by the name Verna. In them, the Accent appears all grown up, adopting a large grille and styling reminiscent of its bigger brother, the Elantra.

Joe writes:

Can you explain black plastic on cars? I saw an Audi Q7 with black plastic all over the bottom, but then a Q5 doesn’t have it. Sometimes the plastic isn’t black but color coded like an Eddie Bauer Ford or something else.