After its debut at the 2021 Seoul Mobility Show, Kia has prepped the second-generation Niro crossover for the New York International Auto Show and indicated that the model will retain its extra-bold styling for the U.S. market.
Directly inspired by the 2019 HabaNiro concept, Kia’s compact crossover features a fat C-pillar in a contrasting color. The low-hanging headlamps have also been pushed out to the side, giving off some faint Telluride vibes. Aspects of the Soul are also present, though that’s likely down to the model sharing some of its aesthetics with the HabaNiro. Kia seems the most pleased with its upgraded powertrain roster, however.
Hyundai’s Palisade separates itself from Kia’s Telluride, at least in terms of appearance, by being the more “urban”, stylistically speaking, of the two.
The former looks boxy and rugged, while the latter has curves that evoke urban luxury — at least to this author’s eye.*
The New York International Auto Show (NYIAS) has been cancelled for the second year in a row over, you guessed it, COVID. Though things are a bit more complicated this time around.
Progressive Mayor Bill de Blasio announced on Tuesday that New Yorkers will need proof of vaccination to do everything from going to the movies to dining out starting August 16th. While this doesn’t include a mask mandate, something he said was unnecessary, requiring thousands of people from out of state to furnish vaccination cards they likely already lost makes NYC hosting the auto show a difficult (if not impossible) proposition. NYIAS organizers announced their decision to cancel the event on Wednesday.
What a difference a week makes. On March 3rd, organizers of the New York International Auto Show insisted the show would go on, declaring it had “no plans” to kibosh the event out of concern for the coronavirus. Late Tuesday, it relented, bowing to pressure both of the medical and perhaps political.
Originally slated to kick off with a series of debuts on April 8th and 9th, the Javits Center will now host the event sometime in August. One hopes the viral unease gripping the continent is just a memory by then.
This year’s New York Auto Show left me feeling a bit baffled. The 2018 edition was fairly eventful, both in terms of what was shown at the Javits Center and what I experienced during my off hours (no one randomly approached me on 8th avenue attempting to sell me cocaine this year), but this year seemed, as a fellow employee of our corporate mothership said, “chill.”
Not too chill – the morning was busy. And there was at least one important reveal after lunch.
Still, compared to 2018, the 2019 edition of the New York International Auto Show felt a tad more relaxed.
It’s getting increasingly difficult to decide what constitutes a luxury vehicle these days. Premium manufacturers seem preoccupied with technology and providing customers with entry-level compacts they’re supposed to pay big money for. Fortunately, things get clearer as you move up the food chain. Nobody would think to doubt the S-Class’ luxury credentials, and Mercedes-Benz is now ready to offer the next generation of the self-proclaimed S-Class of SUVs.
We’re talking, of course, about the large and luxurious GLS. All-new for 2020, the model boasts a longer-wheelbase, more interior space, a “carwash” mode, and an active suspension paired with the brand’s very first mild-hybrid V8.
Genesis Motors revealed a small city car in The Big Apple this week. However, the model’s debut wasn’t part of the daily goings-on at the New York International Auto Show. Instead, the company decided to unveil the Mint Concept at Hudson Yards, ahead of the trade show’s official press days — utilizing terms like “urban icon” and “reductive versatility” while somehow expecting to be taken seriously.
“As a brand, Genesis embraces progressive design values, and the Mint Concept reinforces this commitment from a previously undiscovered perspective,” Manfred Fitzgerald, Genesis’ executive vice president, said at the vehicle’s introduction. “Mint belongs in the city, and we are proud to introduce our evolution of the ideal city car in New York.”
This is the kind of industrial-grade nonsense your author absolutely despises. However, I am elated Genesis did this, as it’s been a while since I’ve had the opportunity to be exceptionally critical of a Korean brand. Outside of Hyundai’s Nexo, the country’s been on a hot streak lately. It’s wonderful to be able to prove that I’m still an unpleasant crankshaft without bias.