Movie Reviews

I tend live my life by a rather loose set of rules and codes, but there are a few maxims to which I always adhere. The first and foremost of them? When Alex Roy invites you to something, you go. No questions asked. Put on your best scarf and show up. Something interesting is bound to happen.

Therefore, when I received an invitation from Alex to attend the New York Premiere of APEX: The Story of the Hypercar, I made sure to be in attendance.

Let’s face it, most of what you read at car related sites, just like you do at sites for other interests, industries and hobbies, talks about the same usual topics. In the case of car enthusiast sites, the same cars, the same commercials, the same companies. Maybe that’s why it’s exciting when I’m ranging far afield of the automotive realm on the web and I come across something that I’m pretty sure will be of interest to TTAC readers and it also happens to be something that you probably haven’t seen anyplace else. In this case I was doing my rounds of some of the non-automotive sites I link to from Cars In Depth and I came across a brand new short dramatic film called The Sunday Morning Drive about a beautiful woman in a 430 horsepower Audi R8 racing more than 3 dozen sportbikes up a winding and treacherous 14 mile stretch of California’s Pacific Coast Highway.

Was I correct about it being of interest to you?

You may have heard that there’s a movie about car racing coming out. For dramatic tension it’s based on the real life story of two drivers, competing when the sport was very dangerous, whose relationship went from rivalry to respect to a deep friendship. Actually, there are two movies like that coming out. You’re probably more familiar with director Ron Howard’s $100 million F1 epic, Rush, which opens on Sept. 20th and centers on the competition between Niki Lauda and the late James Hunt. Made for about one tenth of that, and opening Sept. 9th is Snake and Mongoo$e, about drag racers Don Prudhomme and Tom McEwen. Snake and Mongoo$e had its worldwide premiere last weekend in conjunction with Reno’s Hot August Nights cruise festivities that included a Barrett-Jackson car auction. With a million and a half car lovers congregating this weekend on Woodward for the Dream Cruise, the producers decided to have a Detroit premiere as well, and the film will be screened at the Palladium in Birmingham all weekend long.

Lately, in no small part due to Michael Moore, the “documentary” film has become the carborundum upon which filmmakers from a variety of perspectives have ground their own axes and then proceeded to chop down the subject of their films. It’s nice, then, to see a documentary made that exhibits some affection for the subject. Wagonmasters, a film made by Chris Zaluski and Sam Smartt as part of their work for MFAs from Wake Forest University’s Documentary Film Program, looks at the great American station wagon with affection. Wistful affection for the now disappeared suburban icon of Americana, but affection nonetheless.

I was just a pre-licensed car nut when the July 1994 issue of Car and Driver passed along the news of Ayrton Senna’s death. Brock Yates’ column in that issue said, “In a sad way, Ayrton Senna’s death dignifies motor racing…He did not die in vain, but rather he made the ultimate sacrifice in seeking his own personally mandated pinnacle of achievement. Tragically, ironically, he may serve his chosen profession more in death than life.” This meant nothing to me at the time. But it means something now.