The Oldsmobile Toronado started out as a big sporty car, morphed into an Eldorado-styled full-on luxury boat, then spent its twilight years getting progressively smaller and less opulent. Every Toronado ever made had front-wheel-drive and two doors, and every one had at least some Eldorado DNA in its bloodstream.
Across the vast and majestic gulf of time and space, the jimmies rustled not-so-softly when I published last week’s column on the reasons people choose crossovers. I was accused of persecuting everybody from innocent children to Fox Wolfie Galen. The author of the guest editorial to which my column was a reply claimed that he would leave TTAC forever unless I renounced my views on traditional masculinity, essentially attempting to no-platform me right off a site that I personally dragged from the abyss just two and a half years ago (with all of your help, of course). But seriously — I edited multiple news items for this site from a hospital bed a couple of hours after they cut out my spleen and this guy thinks I’m going to quit just to spare his delicate feelings.
Not that there wasn’t some intelligent, reasonable, principled opposition among the B&B to what I had to say, of course. Some of it resonated with me long after I put my laptop down for the day and picked up my bottle of Ketel One for the evening. I started to think about why people settle: for jobs, for spouses, for vacations — but most of all, why they settle for certain cars. Why have so many of us made the pansy-assed decision to buy something like a crossover? And why do so many of us feel the need to defend that decision to the Internet death?
A few hours later, as I unsteadily unbuttoned the blouse of a woman who was a toddler back when I started driving my father’s 733i, I asked myself: What if I took that easy contempt that I feel for crossover-driving single men and pointed that high-powered perception on myself, so to speak? When did I settle, and why did I do it?
TTAC commentator Darth Lefty writes:
I was looking at a new Fusion in the company parking lot and noticed how its center brake light (CHMSL) is basically a very thin flap jutting out of the top of the window. Subtle… The center brake light is always like this. We are right now in a golden age of headlight and tail light design. The complex shapes and chrome and LED’s and rocket thrusters dominate the style of a car. But the center light gets none of this. (Read More…)
After creating today’s Oldsmobile Toronado Troféo Junkyard Find, it becomes my duty to share one of the most brain-scrambling examples of the “What Could GM Have Been Thinking?” genre of car commercials. Yes, it’s a version of Harry Belafonte‘s “Banana Boat Song,” with “Tro-FE-oh” replacing the famous “DAY-oh,” and sung by Belafonte’s offspring. (Read More…)
Now that we’ve admired the junked ’90 Olds Cutlass Calais International Series, let’s move a couple rows down in the very same California self-service yard and check out another Adventure In Doomed GM Marketing. (Read More…)
In the thirties and forties, GM pioneered and brought to market some of the most innovative, successful and lasting new technologies: diesel-electric locomotives, the modern diesel bus, automatic transmissions, refrigeration and air conditioning systems, high compression engines, independent front suspension, and many more. But GM’s technology prowess was just one facet of its endlessly warring multiple personalities. Planned obsolescence, chrome, fins and financial rationalization were the real moneymakers, especially during the technically conservative fifties. But in the period from 1960 to 1966, GM built three production cars that tried to upend the traditional format: the rear engined 1960 Corvair, the front-wheel drive 1966 Toronado, and the 1961 Tempest. And although the Corvair and Toronado tend to get the bulk of the attention, the Tempest’s format was by far the most enduring one: it was a BMW before BMW built theirs. If only they had stuck with it. (Read More…)
Bob Lutz’ Cadillac Sixteen concept wasn’t the first time a revival of the classic Cadillac V12 and V16 era was considered. In the mid sixties, Cadillac was seriously mulling production of one or the other, and several versions of a SOHC V12 engine (see post here) were built. But if you think the Sixteen Concept had a long nose and was a bit over the top, check out this rendering by Cadillac Studio Chief Wayne Kady. From the size of the steering wheel and dashboard, it appears they were planning to transplant the V16 from a tug boat. This must be where the infamous bustle-back trunk of the 1980 Seville originated. Well, this is just a not-so-small taste of the creativity that was unleashed when the designers were asked to come up with ideas. (Read More…)
Rest assured, I have found a genuine 1966 Toro for an upcoming full CC. And I’ve seen a fairly rare ’77 XS with the wrap-around rear window in someone’s yard that I will hunt down. In the meantime, let’s content ourselves with this somewhat mundane ’85. (Read More…)