#rambler

We finish up our Rare Rides Icons coverage of the AMC Matador today by spending some time abroad. The Matador maintained a few different passports as it donned new branding and nameplates for its various international adventures. And unlike many domestic cars of the period, AMC saw sales success when its midsize arrived in other markets.

When George Romney— yes, father of Marlin-drivin’ Mitt— took over American Motors soon after its 1954 formation in a merger between Hudson and Nash, he set about shifting the company’s focus from “traditional” big cars locked in an annual styling arms race to a line of affordable compacts built on the success of the little Nash Rambler. By 1961, Nash and Hudson were long gone and every AMC car was a Rambler; the smallest Rambler that year was the American, and the cheapest American was the Deluxe two-door sedan. That’s what we’ve got for today’s Junkyard Find, spotted a few months back in a Denver yard.

Museums are among my favorite places in the world, but it was difficult to genuinely enjoy my last visit to the Walter P. Chrysler Museum on the Chrysler campus in Auburn Hills. That’s because it was indeed my last visit.

About 15 minutes after I left the museum on December 18th, Fiat Chrysler Automobiles closed it forever and began moving the vehicles to the Highland Park warehouse where Chrysler keeps its corporate car collection. The automaker has said the museum will be turned into office space.

Sure, none of the original players are walking the earth, but we can still celebrate the corporate creation of Charles W. Nash, the man who quit General Motors in its infancy to form his own car company.

Nash Motors wasn’t a Big Three player, but it did make its mark on the automotive landscape. During a wild ride of mergers, acquisitions and changing product direction, the independent automaker spawned a number of innovations that became industry firsts.

Not long ago my mother moved into an assisted living facility and I’ve been cleaning through her house. After observing her, my daughters, my sisters, and my maternal aunts I’ve figured out that there’s likely an OCD gene on one of their X chromosomes. Of course, my daughters got that bit of genetic material from their dear old dad. Hey, just because I have 60+ egg crates filled with about 15 years worth of automotive press kits doesn’t mean that I hoard things. Anyhow, while cleaning I came across a box that looked like it hadn’t been touched since January of 1966, when we moved to the house that I’m now going through. Most of the things in the box were detritus, stuff that could have been thrown away before the move. However, as I was rifling through the fabric scraps and what have you, something bright red caught my eye.

I went back to Martin’s Salvage, located midway between Denver and Cheyenne, earlier this week. The last time I’d been there was in 2011, and the place is still full of so many staggeringly great 1930-1970 vehicles that I get overwhelmed and can’t shoot individual cars for this series. This trip, though, I held still long enough to shoot this crazy-rare example from the final years of the Rambler marque.

Even though I was just a mere boy growing up during the ‘60’s in SoCal, I have no problem recalling the variety of impressions motor vehicles of all stripes made on me back then. Of course, I was especially into the noisier and flashier examples, be they airplanes, auto, boats, motorcycles, or trucks.

I distinctly recall the “Rambler” nameplate, but not because they were noisy or flashy—nor, did it seem, were their drivers. (There were a few exceptions to this—the most noteworthy being the SC/Rambler, AMX, and first production Javelin.)

Many of the older cars you find in the junkyard clearly spent a decade or three moldering in a side yard or driveway before taking that final ride behind the tow truck. The project that never gets started, or the once-reliable car that needs a new transmission, or sometimes just Grandpa’s forgotten daily driver. We don’t know that this Rambler ran when parked, but we can tell when it was parked: 1986.

Our recent deep immersion in eccentric little French cars might have been a bit much for some of you, so I decided to give you something as all-American as possible: a loaf of Wonder Bread instead of a baguette.

This American certainly isn’t challenging; visually, technically or otherwise. A big, cast-iron six resides under the hood, with more than six times the displacement of the Citroen Ami 8’s little twin. Instead of an umbrella handle, a column mounted shifter operates the fully automatic transmission. And its output is sent back to a solid rear axle suspended by cart springs. The Rambler American and the Ami 8 are both from the same era, but approach their task about as differently as possible, in almost every conceivable way. And today, two of the best selling small cars in both countries, the Nissan Versa and Renault Clio/Modus are essentially siblings. That’s why I find haunting the streets more interesting than an auto show.

It’s morning on a bright summer day in Iowa City in 1962. I may have fallen asleep with pictures of Marilyn and the Corvette, but now they’re lost somewhere in the folds of my sheets. The fantasy is over, and its time to face a reality of rampant Rambler Classic wagons with wheezing sixes piloted by boozy but anything but sexy Moms. Instead of a fancy night club where a jazz band is playing, we’re off to the pool, and if we’re lucky a stop at the Purple Cow drive-in for milkshakes and floats afterward. The distinctive pattern of Rambler upholstery seared into the backs of my thighs and the stain of artificial strawberry on my trunks will be the tell-tale of having crowded in with half a dozen other hot (the wrong kind) and sticky kids in the back seat. Why did I have to find you, Rambler Classic Wagon? I was so enjoying my fantasy memories.