By on June 25, 2013

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Central to the tone of Jack Baruth’s lovely father-and-son 911 vignette is the concept of the Forever Car. It’s a nice thought – the machine acting as fossilizing amber, perfectly capturing a fleeting memory such that it lasts an eternity.

This idea is, to me, an entirely rational way to explain the presence of a theoretical soul in something that is composed of nothing more than steel, glass, rubber and leather. Cars don’t have souls, they develop them through experience – the transference of an emotion felt behind the wheel. It doesn’t have to be a 911 either, even the humblest old Volvo shoebox absorbs a personality as it slots into the background in slide after slide of family vacation pictures.

And then, you find yourself browsing craigslist and seeing a well-preserved you-name-it and thinking, “I could make that mine. I could share that with my children, and they would understand, and when I am dead and gone, they would explain it to their kids, and they would know.”

It’s a nice thought, the Forever Car. It perfectly encapsulates the human need for lasting possessions, of the art scrawled on the cave wall that says, “I was here.” One’s all-too-brief lifetime becomes a link in a chain that’ll stretch out over the years; less an ownership cycle than the work of a custodian/curator.

Well hurry up then. The last Forever Cars have already been built. (Read More…)

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  • Jack Baruth, United States
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