Here are a few books I consider required reading for Transportation Design students: The Reckoning, Rude Awakening, All Corvettes are Red and Car: A Drama of the American Workplace. These show what it takes to make a car…to make a designer’s work come to fruition.
Sadly, during my (short) time at the College for Creative Studies, we focused on creativity at all costs: pay no attention to the business behind the curtain. So while the Honda Crosstour is a curious stylistic exercise, does this dog hunt in the real world? (Read More…)
Aside from the fame, fortune and talent, my design school stylings were criticized much like the early works of one Mister Lenny Kravitz. I felt, as idiotic as it seems now, both of us were pigeonholed for our unabashed use of “influence” in our art. Kravitz overcame. I left the College for Creative Studies to pursue a less interesting career. A career that makes me travel. With rental cars.
How fitting that I’d be blessed (cursed?) with The Son of Aston: the Ford Fusion Hybrid for 8 days and 800 miles. (Read More…)
Today, I’m going to talk about SUVs. This will annoy some of you out there in readerland because I’ve talked about SUVs a lot lately. First, I posted a story about hybrid SUVs, which was largely ignored by the automotive community but caused me to chuckle several times as I wrote it. Then, I posted a story about the BMW X5, which was also largely ignored by the automotive community, with the exception of BMW X5 owners, who passionately defended their SUV’s honor in the face of lease jokes.
But listen up, because today’s topic is far more interesting than either of those. It’s about D-pillars.
I enjoy highlighting automotive design, yet cars aren’t everything: architecture happens. So let’s combine ‘em for the world of automotive retailing. (Read More…)
A piece in Bloomberg that could hardly be seen as anything but relentless Detroit homerism puts forward the thesis that cutting-edge design is helping Detroit capture increasing market share in a white hot new car market. Per Bloomberg
From the fires of Detroit’s descent into near-death, GM, Ford and Chrysler Group LLC have forged some of the most distinctive designs since tail fins were soaring in the halcyon days of the postwar-era. Models such as GM’s Cadillac ATS sports sedan, Ford’s Fusion family car and Chrysler’s Jeep Grand Cherokee are turning heads and stoking sales.
On the strength of stylish new showroom offerings, GM, Ford and Chrysler all gained market share in the first quarter for the first time in 20 years. Meanwhile, Toyota Motor Corp. (7203)’s staid standard-bearer, the Camry, has endured three months of declining sales as the automaker ceded U.S. share this year. (Read More…)
In the early 1980s, as the economy continued to slump and gas prices soared, American car makers were desperate for a way forward. The good old days were gone forever. Under pressure from the Japanese, whose small cars had gone from rolling jokes to serious, high quality competition in little more than a decade, the big three knew they needed to make a radical departure from their traditional approach before it was too late. Although some of the more stodgy cars would soldier on and continue to sell to members of the Greatest Generation well past their expiration dates, for the rest of us the future was a smaller, lighter and more efficient. The winds of change were blowing and even the Ford Mustang felt the chill.
Take a good look at the picture above. What do you see? If your answer is that you see three black Chevrolet Equinox “cute utes,” you’d be wrong.
Haters bust out the Haterade: I mastered your drama back at the College of Creative Studies. My luxury car proposals sported stand up grilles…and why not? The (beautiful-ish) 1990 Lexus LS400 proved an upright grille happily exists on a sleek, masterfully engineered machine. But very talented, well-praised drama queens in the design studio can’t be proven wrong by a talentless schmuck. Even if they get super butthurt when your Lexian-precedent made their grandstanding look like the adolescent ranting of one unfit to judge a grade school art show…
To wit, an extreme argument: The Nissan Cube. (Read More…)
If you have a spare four minutes and four seconds (plus time for the commercial) take the time to check out the following discussion over at Bloomberg.com. As a layman, I find these kind of discussions very interesting and would like to hear the best and the brightest, many of whom I know to be connected with auto industry, give a little perspective to what seems to me to be a very shallow look on the subject of modern car design.
I was in a bad place about a year ago: fighting problems that resurfaced 10+ years of (secret) regret that my life at the College for Creative Studies shoulda ended differently. But then a few silver linings showed up, motivating me to write the first installment of this series. While I still am in (occasionally) bad places a year later, designs like the Nissan Juke keep me motivated, excited.
So, to celebrate this series’ First Anniversary: THANK YOU for letting me share my Venom. And know how much I appreciate it when you click that link: