When I write about cars, my words are inspired by the works of Leonard Setright. While I haven’t actually read a word of what he’s written I know his writing and have educated myself about it and its significance.
Just how silly did that sound? About as silly as an artist saying that he’s inspired by a work that he hasn’t actually seen. What’s this doing on a car site? The work of art is arguably the greatest piece of automotive fine art in the world. (Read More…)
My worst moment at the College for Creative Studies was during Portfolio Review: a presentation of one’s body of work since the beginning of the semester. So it comes as no surprise that my favorite parts of a LeMons race is judging the artistic(?) themes of the cheaty $500 race cars in attendance. Let’s combine the two for this quick vignette into an alternate world of automotive design: come up with a moderately creative theme, say or do something idiotic, make me laugh and perhaps I’ll forget about that fancy header…or those super cheaty shocks that supposedly “came with the car.”
Did you really think that car design ends in the studio? (Read More…)
We seem to be in a bit of a museum mood, what with Thomas Kreutzer’s report on the expanded Pierce Arrow Museum in Buffalo, NY., the continuingstory about the Petersen Museum selling off part of their collection, and speculation on what will happen to the valuable art, cars and other items that belong to city-owned museums in the wake of Detroit’s filing for municipal bankruptcy. In the comment thread to our second post about the Petersen, the relationship between the world of cars and the world of fine art was raised by narcoossee, and 3Deuce27.
Since I’ve built (and daily-driven) what I consider to be an art car, I’m not against the concept of an art car. The problem is that you get 100 random-beater-with-army-men-hot-glued-all-over art cars for every brilliant Sashimi Tabernacle Choir. Because affixing random crap all over a cheap car is an accepted route to a certain segment of San Francisco Bay Area artistic circles, I’ve found a fair number of these things in Northern California wrecking yards. Here’s the first turbocharged art car I’ve seen in my travels. (Read More…)
They say that you don’t regret the things you do as much as you regret the things don’t do. I hope the auto manufacturers are listening, because when I look at so many of the fantastic looking four door sedans on the market today, I feel a sense of regret for what they aren’t doing, namely making two door coupes. I know there are financial considerations, probably tens of millions of dollars worth, at work behind the scenes. I understand, too, that there are likely to be engineering challenges and any number of other issues that a simple layman like myself can never really understand, but the fact that there are no really cool coupe versions of today’s hot sedans gnaws at me.
Thank God for artists like Casey Shain, a man of considerable talent who, like many of us, believes that today’s cars can be better. (Read More…)
Some positions are dream jobs. Let’s say that you’re a car guy and that you like to paint and that you also happen to live in France. What could be a better job than being the official artist of the 24 Hours of LeMans race? François Bruère is that car guy and that’s his dream job. I first came across François while he was setting up his display at the automotive art show & sale that was part of the Concours of America at St. John’s festivities in suburban Detroit. Bruère has spent 30 years refining a style that combines hyperrealistic renderings of automobiles with sepia toned backgrounds, often historic, that give his work a distinctive, immediately recognizable style.
In the ’72 Dodge Tradesman Junkyard Find earlier this week, I referred to the iconic custom-van airbrush mural with “jousting knights battling Aztec kings in a zebra herd at the Mars Base.” All of those elements were seen on the flanks of plenty of Chevy Vans and Econolines back in the 1970s (though you didn’t often see more than one per mural), and— now that we’ve got the benefit of nearly 40 years of hindsight— we can think about what could be done today with the art form of the custom van. (Read More…)
If you live in the San Francisco Bay Area and you need something to drive to Burning Man, you’ll find that the glue-a-bunch-of-stuff-all-over-a-random-vehicle art-car approach will let your ride fit in just as effortlessly on the playa as the soccer mom’s Voyager blends in at the mall parking lot. I’m not against art cars (I consider my 1965 Impala Hell Project to be an art car at heart), but I prefer the approach of the artists who built such fine machines as the Sashimi Tabernacle Choir or the street-driven Denver Pirate Ship to the type who feels contempt for the canvas disappearing beneath their hot-glue gun. Anyway, the upshot of the large number of Bay Area art-car types who glue 10,000 plastic army men or Lucky Lager caps all over their cars is that many of them wind up in self-service wrecking yards. Here’s a Toyota Master Ace aka Toyota Space Cruiser aka Toyota Van that I spotted last weekend at an East Bay self-serve yard. (Read More…)
Israeli artist Ronen Wasserman turned recycling into an art form. Literally. For the Ronmen TinMan design studio, Wasserman creates on-off furniture pieces from recycled car parts. Says TinMan in its mission statement: (Read More…)