Because the power of the Murilee Martin Lifestyle Brand™ is so extreme, the Alamo Drafthouse Theater in Denver has fallen under my spell and allowed me to select and introduce four car films, to be shown each Monday during their “Alamo Takes the Wheel” month of April (actually, it was the endorsement of Repo Man director Alex Cox, who teaches at the University of Colorado, that convinced the Alamo management that this idea wasn’t completely stupid). The first of those films is the amazing Duel, an all-time-great Malaise Era car movie that shouldn’t need any introduction for TTAC readers. Read More >
Category: Product Reviews
“On one occasion I was called out into the yard because there had been a shooting. A guard, a line worker and a car thief had been shot. The thief had been wounded gravely by the guard and was bleeding but he had made it into the cab of the car hauler and had driven for some distance before he crashed and was caught.”
Let’s face it, most of what you read at car related sites, just like you do at sites for other interests, industries and hobbies, talks about the same usual topics. In the case of car enthusiast sites, the same cars, the same commercials, the same companies. Maybe that’s why it’s exciting when I’m ranging far afield of the automotive realm on the web and I come across something that I’m pretty sure will be of interest to TTAC readers and it also happens to be something that you probably haven’t seen anyplace else. In this case I was doing my rounds of some of the non-automotive sites I link to from Cars In Depth and I came across a brand new short dramatic film called The Sunday Morning Drive about a beautiful woman in a 430 horsepower Audi R8 racing more than 3 dozen sportbikes up a winding and treacherous 14 mile stretch of California’s Pacific Coast Highway.
Was I correct about it being of interest to you? Read More >
(When I put this into the TTAC “back-end”, I forgot to change the author. This article is the work of John Marks, not Jack Baruth — JB)
Former Detroit News city-beat reporter Charlie LeDuff’s memoir Detroit: An American Autopsy (2013; newly out in paperback) fairly pulsates with not-quite-controlled rage, but at least he came by it honestly. A working-class native of Detroit who parlayed his talents for finding stories and for telling stories into a position at the New York Times, LeDuff quit what once had been his dream job in 2007.
After ten years (a span of time that included 9/11), LeDuff had had enough of the Times’ “intellectual mud wrestling and… oblique putdowns.” The straw that broke his back was an editor’s telling him that he spent too much time writing about “losers.” (One gets the idea that if that editor wasn’t a Brown graduate named Chauncey who was wearing a Brooks Brothers oxford-cloth shirt, he might as well have been.)
After a brief unsatisfying stint in Los Angeles, LeDuff and his wife and infant daughter returned to Detroit in 2008, so he could “chronicle the decline of the Great American Industrial City.” His timing was impeccable, to say the least.
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Before the Clint Eastwood film (but after the cheezoid TV show), the most well-known Ford Gran Torino in cinema history was the beater ’73 sedan driven by Jeff Bridges’ character in The Big Lebowski. This film, which took quite a while to go from box-office dud to sacred document of the Lebowski Jihad, was released in 1998 and was set in late 1990 or early 1991 (a period during which I was also in Southern California and living a fairly Dude-ish lifestyle myself). The choice of a ’73 Gran Torino by the Coen Brothers makes some interesting statements for those who obsess about movie cars, and Monday is always the best day to discuss such things. Read More >
You have to hand it to Lego: years after the patents on their plastic interlocking bricks expired, the company has become expert in parting kids of all ages from their cash. The Lego Movie, a concept that would have boggled the mind of any child of the ’80s, is a certified blockbuster. The Lego Harry Potter and Lego Star Wars video games – that’s a game of a toy of a movie, if you’re counting – are best-sellers across multiple platforms.
Now there’s this, an assemblage of beige-overalled 1980s misfits rendered in blocky, multi-part format, ready to do battle with spectres while making off-the-cuff quips. Talk about shut up and take my money: the Lego Ghostbusters set is relatively affordable, at just under fifty bucks, and is everything you were hoping for. By June, thousands of them should be parked proudly on the desks of all kinds of dudes who are far too old for this sort of thing. I’ve already cleared a space on mine.
The centrepiece of the set, aside from minifig versions of Venkman, Stantz, Zeddemore, and Spengler, is the gloriously recreated Ectomobile – Ecto 1. Thirty years ago this year, the white and red original burst on-screen, sirens blaring.
As a fit for the role, the Cadillac might have been an even better casting choice than Bill Murray as Venkman. When there’s something strange in your neighbourhood, you know who you’re gonna call. Read More >
The vehicles we aspire to own have one thing in common: timeless design over mere transportation: Ferraris over Fiats. CUVs instead of sedans, or personal luxury vehicles in lieu of a hatchback. So why not treat yourself to a leather-wrapped charging apparatus? Read More >
Micheal Lamm has worn a lot of hats in the automotive media world, including stints as editor and publisher at a number of respected publications (besides siring the man who gave the world the 24 Hrs of LeMons series). In addition to wearing a lot of hats, Mike has also owned a lot of cars including about 80 collectible and special interest automobiles over the past 62 years. Most of them he loved, others he grew to hate.
This year, two documentaries concerning serial automotive entrepreneur Malcolm Bricklin have been released. Coincidentally, both of them were the products of sons whose fathers were part of the story they were telling. First, after four years of sitting completed, in the can so to speak, The Entrepreneur, filmed and directed by Bricklin’s son Jonathan, with an executive producer’s credit to Supersize Me‘s Morgan Spurlock, was finally released this past summer for public viewing.
Regular readers of TTAC already saw Justin Wheels Crenshaw and W Christian Mental Ward had a chance to attend the Abu Dhabi Drift School where the RWD Toyota GT-86 is the car of choice.
Buckle your seatbelts folks; we’re firing up the wayback machine. Last week I had the privilege of attending the Yas Island Drift School with none other than Justin “Wheels” Crenshaw. I have actually known Justin for a few years now, back when he was juggling press loaners and writing for TTAC, while I had no idea this site existed. He helped me with this story, as well as editing it, so hopefully he saved Baruth some stress and the B&B some frustration with my tenuous language skills.
You may have heard that there’s a movie about car racing coming out. For dramatic tension it’s based on the real life story of two drivers, competing when the sport was very dangerous, whose relationship went from rivalry to respect to a deep friendship. Actually, there are two movies like that coming out. You’re probably more familiar with director Ron Howard’s $100 million F1 epic, Rush, which opens on Sept. 20th and centers on the competition between Niki Lauda and the late James Hunt. Made for about one tenth of that, and opening Sept. 9th is Snake and Mongoo$e, about drag racers Don Prudhomme and Tom McEwen. Snake and Mongoo$e had its worldwide premiere last weekend in conjunction with Reno’s Hot August Nights cruise festivities that included a Barrett-Jackson car auction. With a million and a half car lovers congregating this weekend on Woodward for the Dream Cruise, the producers decided to have a Detroit premiere as well, and the film will be screened at the Palladium in Birmingham all weekend long.
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Lately, in no small part due to Michael Moore, the “documentary” film has become the carborundum upon which filmmakers from a variety of perspectives have ground their own axes and then proceeded to chop down the subject of their films. It’s nice, then, to see a documentary made that exhibits some affection for the subject. Wagonmasters, a film made by Chris Zaluski and Sam Smartt as part of their work for MFAs from Wake Forest University’s Documentary Film Program, looks at the great American station wagon with affection. Wistful affection for the now disappeared suburban icon of Americana, but affection nonetheless. Read More >
Everybody wants a deal. But precious few people are willing to change their habits to make their deal last longer.