Not following the hip-hop scene closely, I’m not really sure who Nas is, a quick search shows that he’s a successful rapper and actor. I do know who Malcolm Campbell and Viktor Frankl were. Sir Malcolm was a British racer and writer, who set and held world land and water speed records in the 1920s and 30s in cars and boats called Blue Bird, many of his own design, breaking the LSR nine different times. Campbell’s final record, set at the Bonneville Salt Flats in the Blue Bird V, made him the first human to drive a car more than 300 mph. Frankl was a psychiatrist and neurologist who founded a form of existential analysis called logotherapy. After surviving the Holocaust of European Jewry by the Nazis, with his psychic wounds still fresh in 1946 he wrote Mans Search For Meaning, which hasn’t gone out of print since its publication. As part of an ad campaign that’s something about ‘chasing your wild rabbit‘, Hennesey cognac had director Martin de Thurah cut two versions of a long form television commercial, really a short film, called The Man Who Couldn’t Slow Down, about Campbell. It’s not a commercial trying to sell a car but it’s the best commercial with a car that I’ve seen in a long time. The shorter commercial is the one you’re more likely to see and is at the top of this post. It’s gotten the lion’s share of publicity, no doubt because the the aforementioned Nas lends his talents for the narration. A longer form version, though, uses the words and voice of Frankl, “the most fundamental and basic concern of man, neither pleasure nor happiness, nor power or prestige, but his wish to find and fulfill a meaning in his life.”
Both commercials are powerful little films, though one always wonders if Clio-worthy ads actually sell product.
Rather than make everything look vintage and sepia toned, the look is all hi-def, so they had to make a realistic replica of one of the Blue Birds.
Though the production team used plenty of digital effects, the car you see racing down what is supposed to be a Florida beach (I suspect it might have actually been shot adjacent to the Pacific Ocean near Los Angeles) in the ad is a real runner, built by Ghost Light, a Los Angeles shop that specializes in preparing cars for the film industry. It has a tube space frame, a LS3 engine, posi-traction and coilovers.
The body is fiberglass, and looks like it’s based on Campbell’s 1932 car that reached 253.97 mph on Daytona’s beach.
I wonder what Hennessy is going to do with it after the ad campaign is over. There aren’t that many television or movie cars that I’d like to own, but I think this one might be fun.
In case you’re interested I’ve transcribed Frankl’s narration as well as the ad copy written for Nas to deliver. They’re both being used to sell spirits but they’re just not quite the same.
Malcolm Campbell would not slow down. When they told him he had reached a limit. He just had one thought: faster. What was he chasing? What are you chasing? Hennessy VS. Never stop. Never settle.
The most fundamental and basic concern of man, neither pleasure nor happiness, nor power or prestige, but his wish to find and fulfill a meaning in his life. If there is a meaning to fulfill, then he is ready to suffer, he is ready to offer sacrifices, he is ready to undergo tension, stress and so forth. A work to do, a job to complete, a task a meaning, a mission waiting for him exclusively to be materialized, to be actualized by him and by no other person, right now, who else if not he? Any human being is concerned with something out there in the world.
Ronnie Schreiber edits Cars In Depth, a realistic perspective on cars & car culture and the original 3D car site. If you found this post worthwhile, you can get a parallax view at Cars In Depth. If the 3D thing freaks you out, don’t worry, all the photo and video players in use at the site have mono options. Thanks for reading – RJS